![]() You can't preview comments here, but I'm happy to fix errors.I like to think of the melodic minor scale as the chameleon scale as it changes its colours. Double dollar signs don't work, and other limitations apply, some described here. You need the word 'latex' right after the first dollar sign, and it needs a space after it. You can include math in your comments using LaTeX, but you need to do it this way: These are called the modes of the major scale: If these have 2 or 3 w’s between them, there are 7 possibilities. As we saw last time, there have to be two h’s. To describe these scales it’s good to think about the spaces between notes, which can be either a whole tone (w) or half tone (h). These are more widely used than the third group, and you’d be tired by the time you got to the third group, so I’ll do that one later. Today I’ll talk about the first two groups: the modes of the major and ascending melodic minor scales. So studying them also means listening to them, getting to know their individual personalities… and ultimately, trying to create music with them. Let’s start getting to know them better! You see, the great thing about modes is that they’re not just mathematical entities: each has its own flavor, its own mood, its own aura. the modes of the Neapolitan major scale.the modes of the ascending melodic minor scale.In Part 3, we figured out all the 7-note scales drawn from the usual 12-tone scale and obeying an extra constraint: there’s at most a whole tone between consecutive notes.
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